Shelfology Book Pairing

A Novel by the Russian Author Fyodor Dostoevsky

by Fyodor Dostoevsky

Fyodor Dostoevsky's classic tale of Rodion Raskolnikov, the murder he commits as an exploration of the human condition, and the crushing criminal and psychological consequences. The two years before he wrote Crime and Punishment (1866) had been bad ones for Dostoyevsky. His wife and brother had died; the magazine he and his brother had started, Epoch, collapsed under its load of debt; and he was threatened with debtor's prison. With an advance that he managed to wangle for an unwritten novel, he fled to Wiesbaden, hoping to win enough at the roulette table to get himself out of debt. Instead, he lost all his money; he had to pawn his clothes and beg friends for loans to pay his hotel bill and get back to Russia. One of his begging letters went to a magazine editor, asking for an advance on yet another unwritten novel - which he described as Crime and Punishment. One of the supreme masterpieces of world literature, Crime and Punishment catapulted Dostoyevsky to the forefront of Russian writers and into the ranks of the world's greatest novelists. Drawing upon experiences from his own prison days, the author recounts in feverish, compelling tones the story of Raskolnikov, an impoverished student tormented by his own nihilism, and the struggle between good and evil. Believing that he is above the law, and convinced that humanitarian ends justify vile means, he brutally murders an old woman - a pawnbroker whom he regards as "stupid, ailing, greedy...good for nothing." Overwhelmed afterwards by feelings of guilt and terror, Raskolnikov confesses to the crime and goes to prison. There he realizes that happiness and redemption can only be achieved through suffering. Infused with forceful religious, social, and philosophical elements, the novel was an immediate success. This extraordinary, unforgettable work is reprinted here in the authoritative Constance Garnett translation. Others novels and novellas by Dostoevsky are: (1846) Poor Folk (novella) (1846) The Double (novella) (1847) The Landlady (novella) (1849) Netochka Nezvanova (unfinished) (1859) Uncle's Dream (novella) (1859) The Village of Stepanchikovo (1861) Humiliated and Insulted (1862) The House of the Dead (1864) Notes from Underground (novella) (1866) Crime and Punishment (1867) The Gambler (novella) (1869) The Idiot (1870) The Eternal Husband (novella) (1872) Demons (also titled: The Possessed, The Devils) (1875) The Adolescent (1880) The Brothers Karamazov

The Neapolitan novels : middle time. Book three

by Elena Ferrante

Since the publication of My Brilliant Friend, the first of the Neapolitan novels, Elena Ferrante's fame as one of our most compelling, insightful, and stylish contemporary authors has grown enormously. She has gained admirers among authors--Jhumpa Lahiri, Elizabeth Strout, Claire Messud, to name a few--and critics--James Wood, John Freeman, Eugenia Williamson, for example. But her most resounding success has undoubtedly been with readers, who have discovered in Ferrante a writer who speaks with great power and beauty of the mysteries of belonging, human relationships, love, family, and friendship. In this third Neapolitan novel, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts of her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of mystery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to see each other by a strong, unbreakable bond.