Shelfology Book Pairing

A Novel

by Emma Cline

NATIONAL BESTSELLER • A young woman pretends to be someone she isn’t in this “spellbinding” (Vogue), “smoldering” (The Washington Post) novel by the New York Times bestselling author of The Girls. “Under Cline’s command, every sentence as sharp as a scalpel, a woman toeing the line between welcome and unwelcome guest becomes a fully destabilizing force.”—The New York Times A BELLETRIST BOOK CLUB PICK • VULTURE’S INAUGURAL "BEACH BOOK READS" BOOK CLUB PICK • LONGLISTED FOR THE PEN/FAULKNER AWARD A BEST BOOK OF THE YEAR: The New Yorker, Time, NPR, The Washington Post, Financial Times, Harper’s Bazaar, Elle, Vogue, Glamour, Newsweek, Good Housekeeping, Slate, Time Out, Chicago Public Library, Electric Lit, Bookreporter “Alex drained her wineglass, then her water glass. The ocean looked calm, a black darker than the sky. A ripple of anxiety made her palms go damp. It seemed suddenly very tenuous to believe that anything would stay hidden, that she could successfully pass from one world to another.” Summer is coming to a close on the East End of Long Island, and Alex is no longer welcome. A misstep at a dinner party, and the older man she’s been staying with dismisses her with a ride to the train station and a ticket back to the city. With few resources and a waterlogged phone, but gifted with an ability to navigate the desires of others, Alex stays on Long Island and drifts like a ghost through the hedged lanes, gated driveways, and sun-blasted dunes of a rarefied world that is, at first, closed to her. Propelled by desperation and a mutable sense of morality, she spends the week leading up to Labor Day moving from one place to the next, a cipher leaving destruction in her wake. Taut, propulsive, and impossible to look away from, Emma Cline’s The Guest is a spellbinding literary achievement.

A Novel

by Tom Crewe

"In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that what they call 'inversion,' or homosexuality, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage there is a third party: John has a lover, a working class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry. John and Catherine have three grown daughters and a long, settled marriage, over the course of which Catherine has tried to accept her husband's sexuality and her own role in life; Henry and Edith's marriage is intended to be a revolution in itself, an intellectual partnership that dismantles the traditional understanding of what matrimony means. Shortly before the book is to be published, Oscar Wilde is arrested. John and Henry must decide whether to go on, risking social ostracism and imprisonment, or to give up the project for their own safety and the safety of the people they love. Is this the right moment to advance their cause? Is publishing bravery or foolishness? And what price is too high to pay for a new way of living?"--