Shelfology Book Pairing

Second Edition

by Edward Lucie-Smith

A classic introduction to art since the end of the Second World War, Movements in Art Since 1945 tells the story of art across all forms of media over the past seventy-five years. Revised and redesigned for the first time since 2001, this standard introduction to visual art in the postwar era examines the movements, trends, and artists from abstract expressionism to the present day. Writing with exceptional clarity and a strong sense of narrative, Edward Lucie- Smith demystifies the work of dozens of artists and reveals how the art world has interacted with social, political, and environmental concerns. This book includes detailed coverage of major developments within the artistic community, such as pop art, conceptual and performance work, neo-expressionism, and minimalist art across the globe, including Asia, Africa, and Latin America. A new chapter on art since 2000 includes discussions of work by Banksy and Ai Weiwei, as well as recent trends in art from Russia and Eastern Europe. Featuring nearly 300 images of key artworks that range from graffiti from 1980s New York to contemporary painting from China, this updated edition of Movements in Art Since 1945 is as global in its reach as art has become in the twenty-first century.

The Devils, the Demons by Fyodor Dostoyevsky

by Fyodor Dostoyevsky

The Possessed is a political and social satire, a large scale tragedy, which is considered amongst the four masterworks written by Dostoevsky. This psychological drama is Dostoevsky's criticism of the political and moral nihilism, which were prevalent in Russia in 1860s. Dostoevsky's criticises the spreading atheism and explores a loss by a Russian man of his true national identity. The author sees nihilism as a root of many deepening social problems and in his book portrays the growing suicide rate as an inevitable ultimate self-destructing end. A fictional town somewhere in province becomes a focal point of an attempted revolution and descends into chaos. Stepan Verkhovensky represents an idealistic westernised generation of 1840s, he is a mere helpless accomplice of the 'demonic' force possessing the town. His son, Pyotr, is a conspirator orchestrating the revolution, while his counterpart in the moral sphere, Nikolai Stavrogin, the protagonist, dominates the book by influencing the hearts and the minds of everyone around him.