Shelfology Book Pairing

by Frank Herbert

• DUNE: PART TWO • THE MAJOR MOTION PICTURE Directed by Denis Villeneuve, screenplay by Denis Villeneuve and Jon Spaihts, based on the novel Dune by Frank Herbert • Starring Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Austin Butler, Florence Pugh, Dave Bautista, Christopher Walken, Stephen McKinley Henderson, Léa Seydoux, with Stellan Skarsgård, with Charlotte Rampling, and Javier Bardem Frank Herbert’s classic masterpiece—a triumph of the imagination and one of the bestselling science fiction novels of all time. Set on the desert planet Arrakis, Dune is the story of Paul Atreides—who would become known as Muad'Dib—and of a great family's ambition to bring to fruition mankind's most ancient and unattainable dream. A stunning blend of adventure and mysticism, environmentalism and politics, Dune won the first Nebula Award, shared the Hugo Award, and formed the basis of what is undoubtedly the grandest epic in science fiction.

(Annotated Edition)

by Immanuel Kant

Viewed by scholars of philosophy as one of the landmark texts of the Enlightenment era, The Critique of Pure Reason is often a primary text in higher educational courses concerning philosophy. First published in 1781 and revised in 1787, this book is generally agreed to be the masterwork of Immanuel Kant for its embracing scope, and the gargantuan influence it has wrought upon philosophers. In composing his most famous critique, Kant consulted the works of contemporary philosophers such as John Locke and David Hume. Their work, which discusses the extent to which human beings can perceive and utilise knowledge, forms the grounding for many of Kant's arguments. Kant divides knowledge into two broad categories - the analytic judgement and the synthetic judgement. This analytic-synthetic distinction is a cornerstone of his work; an analytic judgement being one which holds truth by virtue of its very meaning; and a synthetic judgement being true owing to how it relates to the world around it. Kant discusses at length the means through which humans may theoretically acquire knowledge, despite having not personally observed or experienced the phenomena to which such knowledge relates. The processes by which a reliable body of knowledge is formed by human perception and induction is central to much of the Critique.